Sunday, December 11, 2011

Bergan Comfort Carrier Soft-Sided Pet Carrier, Large, Black

  • Padded shoulder strap included
  • Fleece travel bed included
  • Superior ventilation
  • Multiple convenient pockets
  • For pets up to 22 lbs
Bergan Pet Carriers are not only comfortable for your pet, but also distinctly sophisticated. The Comfort Carrier is a zippered opening that allows you to comfort your pet during travel. Carry your pet with confidence in this Bergan soft-sided carrier.

Emma (2009 BBC Version)

  •  Beautiful, clever, and rich Emma Woodhouse is convinced she is good at matchmaking after her older sister and her governess both marry suitable husbands. No matter that as Mr Knightley drily observes, in reality, she had nothing to do with these relationships. Yet Emma, certain of her talents, plays a dangerous game as she persuades her new friend, the young, pretty and socially inferior Har
Beautiful, clever, and rich Emma Woodhouse is convinced she is good at matchmaking after her older sister and her governess both marry suitable husbands. No matter that as Mr Knightley drily observes, in reality, she had nothing to do with these relationships. Yet Emma, certain of her talents, plays a dangerous game as she persuades her new friend, the young, pretty and socially inferior Harriet to reject an advantageous marriage proposal to a local farmer in favour of dashing Mr Elton. So begins a stor! y which challenges Emma's naivety, her social preconceptions and her relationship with Knightley. Fresh and funny, this perceptive adaptation, featuring a stellar cast, brings Jane Austen's comic masterpiece to life.Although Jane Austen's Emma has been adapted for the screen many times before, including for an American version starring Gwyneth Paltrow, this four-part miniseries is the version to begin with. The story of Miss Woodhouse, a matchmaker and meddler whose wit and misdirection need to be carefully acted to match the novel's complex character, is perfectly expressed through Romola Garai's portrayal. Throughout the retelling of this comedic romantic drama, Garai not only conveys Emma's strong-willed sensibility but also manages to update Emma for modern audiences without relinquishing the traditional manners and tastes that Austen fans love in her 1815 historical tale. Each episode, here, opens with a seasonal shot of Hartfield, the estate Emma rules w! hile caring for her loyal and kind but protective father (Mich! ael Gamb on). Having lost her mother early, Emma feels a bond with two other unfortunate children in Highbury, Frank Churchill (Rupert Evans) and Jane Fairfax (Laura Pyper), whom Emma befriends as they return home from boarding schools abroad.

The dramas that ensue revolve around Emma's attempts to pair lovers, with varied degrees of success. Episode One establishes Emma's curious desire to marry everyone off except herself. John Knightley (Johnny Lee Miller), Emma's childhood friend, is constantly by her side, coaching, supporting, and chiding her as she matures into an intelligent, regal young lady. Miller's ability to portray Knightley as the respectable, patient man he is throughout the series also lends this Emma incredible strength. In Episode Two, after Emma's beloved governess, Anne Taylor (Jodhi May), moves out to marry, Emma bonds with new girlfriend Harriet Smith (Louise Dylan), and from here we begin to see some of Emma's plans backfiring. Part of this series'! genius is in how it manages, in keeping with Austen's book, to express deeper love developing between Emma and her true mate while Highbury's daily gossip continues. Though in Episodes Three and Four one weathers some minor emotional upheaval with aging parents, losses of wealth, and illnesses, this story is not tragic and most side plots point toward Emma's final love realization, which does not arrive until the last 20 minutes of the last episode. Settings and costumes enhance the story greatly, and views of the village farmers' market contrast with lavish balls and dinner parties hosted by the Woodhouse family and others to underscore Austen's original emphasis on capturing the preoccupations of upper-class British society in her day. Some scenes, as in Episode One when Knightley and Emma squabble for much too long over whom Harriet should marry, drag on, allowing one to marvel at how much free time these people had to worry about other business besides their own. Still! , the romance in Emma is quite powerful and humor throu! ghout ma kes this series ultimately enchanting. --Trinie Dalton

Eagle vs Shark Movie Poster (27 x 40 Inches - 69cm x 102cm) (2007) -(Loren Horsley)(Jemaine Clement)(Craig Hall)(Rachel House)(Brian Sergent)(Joel Tobeck)

  • Eagle vs Shark Poster (27 x 40 Inches - 69cm x 102cm)
  • The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
  • Full Size Movie Poster; Same Size That You See In The Theater
  • Size is provided by the manufacturer and may not be exact
  • Packaged with care and shipped in sturdy reinforced packing material
Miramax Films presents the wickedly offbeat love story, Eagle vs Shark, a funny, fractured romance between two total misfits woven into an all-consuming quest for revenge and shot through with the strange, sweet hilarity of the human condition. When Lily (Horsley), a lonely, oddball fast-food waitress and hopeless romantic, and Jarrod (Clement), another lonely oddball and video game clerk who has spent the last decade plotting revenge against a bully from high school, connect at a dress as your favorite animal party, it s! a match seemingly made in outcast Heaven. But when Lily decides to risk everything for love, her hopes are nearly dashed as, after a brief fling, Jarrod dumps her because he s too busy training for his all-important payback mission. But neither of them can anticipate the grit the steadfastly optimistic Lily will show in her heartbreak. As Jarrod's day of reckoning arrives and everything hits the fan, Jarrod and Lily will find something that goes beyond romantic fantasies and revenge faith in who they are.Since the 1980s, the nerd has triumphed in comedies from Weird Science to Napoleon Dynamite, but what about the female of the species? In Eagle vs. Shark, New Zealand's Taika Waititi presents his offbeat romance from the perspective of the likeably quirky Lily (co-writer Loren Horsley). The Meaty Boy cashier fantasizes about the sensitive yet boorish Jarrod (Jemaine Clement from HBO's Flight of the Conchords). Sporting the worst on-screen hairdo! since Javier Bardem's pageboy in No Country for Old Men, the v ideo-game wiz visits Lily's fast-food emporium daily, oblivious to the slouchy brunette with the shy smile. Except for her cartoonist brother, Damon (Joel Tobeck), nobody else notices Lily either. When she crashes Jarrod's costume party--dressed as a shark to his eagle--her fortunes begin to change, but there's a catch: Much like Adam Sandler's tightly-wound salesman in P.T. Anderson's Punch-Drunk Love, Jarrod has a dark side. Not only is he a habitual liar, but he intends to kill his high school nemesis, Eric (David Fane). At first, Lily supports Jarrod's homicidal plan, but their relationship hits a snag when they travel to his hometown for the big face-off (Waititi plays Jarrod’s brother in flashbacks). Suffice to say, no murders take place during the course of Eagle vs. Shark. Stop-motion sequences (revolving around irregular apples), the Phoenix Foundation's electro-pop score, deleted scenes, outtakes, and audio commentary all contribute to the weird cha! rm of Waititi's first feature. --Kathleen C. FennessySince the 1980s, the nerd has triumphed in comedies from Weird Science to Napoleon Dynamite, but what about the female of the species? In Eagle vs. Shark, New Zealand's Taika Waititi presents his offbeat romance from the perspective of the likeably quirky Lily (co-writer Loren Horsley). The Meaty Boy cashier fantasizes about the sensitive yet boorish Jarrod (Jemaine Clement from HBO's Flight of the Conchords). Sporting the worst on-screen hairdo since Javier Bardem's pageboy in No Country for Old Men, the video-game wiz visits Lily's fast-food emporium daily, oblivious to the slouchy brunette with the shy smile. Except for her cartoonist brother, Damon (Joel Tobeck), nobody else notices Lily either. When she crashes Jarrod's costume party--dressed as a shark to his eagle--her fortunes begin to change, but there's a catch: Much like Adam Sandler's tightly-wound salesman in P.T. And! erson's Punch-Drunk Love, Jarrod has a dark side. Not o! nly is h e a habitual liar, but he intends to kill his high school nemesis, Eric (David Fane). At first, Lily supports Jarrod's homicidal plan, but their relationship hits a snag when they travel to his hometown for the big face-off (Waititi plays Jarrod’s brother in flashbacks). Suffice to say, no murders take place during the course of Eagle vs. Shark. Stop-motion sequences (revolving around irregular apples), the Phoenix Foundation's electro-pop score, deleted scenes, outtakes, and audio commentary all contribute to the weird charm of Waititi's first feature. --Kathleen C. FennessyGolden Globe(r) winner* John Travolta leads an all-star cast in the hysterical comedy thatTime calls "smart, shrewdly crafted [and] hilarious!" Loan shark Chili Palmer (Travolta) is bored with the business. So when he arrives in LA to collect a debt from down-and-out filmmaker Harry Zimm (Gene Hackman), Chili talks tough...and then pitches Harry a script idea. Immediately, Chili is swept! into the Hollywood scene: He schmoozes film star Martin Weir (Danny DeVito), romances B-movie queen Karen Flores (Rene Russo) and even gets reservations at the hottest restaurants intown. In fact, all would be smooth for this cool new producer, if it weren't for the drug smugglersand the angry mobster who won't leave him alone! *1996: Actor (Comedy)Get ShortyHailed by many critics as one of the best films of 1995, this finely tuned black comedy sparked a renewed interest in movies based on books by prolific crime novelist Elmore Leonard, whose trademark combination of tight plotting and sharp humor is perfectly captured here. After the success of Pulp Fiction, John Travolta continued his meteoric comeback as Chili Palmer, a Mob "mechanic" whose latest assignment takes him to Los Angeles, where his fascination with the movie business turns into a new career as a would-be movie producer. He pitches ideas with a sleazy producer (Gene Hackman) and a major star (Danny D! eVito), and also finds time to deal with a vengeful Mobster (D! ennis Fa rina) and assorted Hollywood types (including Renee Russo and Delroy Lindo) who all want their piece of a tempting show-biz pie. The plot unfolds with enticing precision, but it's really Elmore's snappy dialogue--and the performances that bring it to life--that make this one of the best comedies of the 1990s. --Jeff ShannonSoundtrack to the acclaimed film starring Jermaine Clement (one half of Flight Of The Conchords) and written and directed by Oscar-nominated New Zealander Taika Waititi. The album features an original score written by Wellington band The Phoenix Foundation, who contributed seven songs (including 'Hitchcock' and 'Seaworld' from their second album Pegasus), three score pieces, as well as two songs from Phoenix Foundation member Luke Buda's solo albums. Also included are tracks from prominent New Zealand artists Age Pryor, The Reduction Agents and Tessa Rain as well as international acts The Stone Roses and M. Ward. Hollywood Records.Eagle vs Shark Pos! ter (27 x 40 Inches - 69cm x 102cm) (2007) reproduction poster print

CAST: Loren Horsley, Jemaine Clement, Craig Hall, Rachel House, Brian Sergent, Joel Tobeck, Jackie van Beek; DIRECTED BY: Taika Cohen;

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